This lets you focus on the sound you’re creating versus the knobs and switches you need to play with to get it there. What I love about the UI is that it puts your EQ shape front and center and keeps the controls off to the side. Do refer to Plugin Boutique for more information, because it’s hard to capture it all here.
#Windows equalizer jazz vs live full#
Pro-Q 3 gives you access to up to 24 EQ bands, optional dynamic EQ mode, ultra-steep “brickwall” slope for LP and HP filters, full surround support, Flat Tilt filter shape, and a great deal more. It also comes with Spectrum Grab, full screen mode, EQ Match, perfectly tuned knobs, interactive MIDI Learn, undo/redo and A/B switch, Smart Parameter Interpolation, an extensive help file, sample-accurate automation, advanced optimization, and more.īut it doesn’t end there. It features linear phase operation, zero latency, Natural Phase modes, variable stereo placement of EQ bands, Mid/Side processing, an intelligent solo feature, optional Auto Gain, and a built-in spectrum analyzer (customizable). Pro-Q 3 claims to offer the best experience possible in terms of sound, ease of use, and interface. Singer-songwriter Matthew Koma said FabFilter is “solid across the board,” Grammy Award-winning mix engineer Dave Pensado says this EQ has one of the best GUIs of any EQ and is just as good as the rest sound wise, and German DJ Eddie Thoneick called it unbelievably easy to handle. So, how does FabFilter Pro-Q 3 hold up? Well, it is one of the most popular and unanimously perfectly rated sound shaping EQ VST plugins available. While this does apply to the Pro-Q 3 as much as anything else, let’s dig a little deeper before giving this one a pass, shall we? Their interface? Unconventional but futuristic and smooth.
#Windows equalizer jazz vs live windows#
You can get Sie-Q on Plugin Boutique for Windows or Mac.įabFilter Pro-Q 3 gives off luxury, alien vibes, as their plugins are known to do.
That makes it an “easy button” for producers at any level, especially for beginner and intermediate level music producers. What we simply couldn’t resist is the fact that 1) Sie-Q is emulating a vintage EQ, and 2) it sounds great regardless of the settings. Now, we honestly hemmed and hawed at what EQ plugin to put in this position of “best overall.” As you will see throughout this guide, there are some amazing EQs with great features out there. Also check the video below for more details. And, as advertised, it does tend to sound good no matter the setting. But if you have a good sense of what you’re doing with frequencies, you shouldn’t get lost. If we had any constructive criticism here, it would be that the plugin’s interface looks a little boring.Īlso, for reasons that should be apparent, this plugin is lacking a little in terms of presets. As you can see, the interface is only made up of five controls – low, mids, high, and drive, so there’s no way to get lost. That said, it captures the look and feel of the vintage EQ nicely.
Its interface, not surprisingly, was designed to look a lot like the Siemens W295b, except with slightly less color. Soundtoys rightfully asserts that these properties are what make this technology perfect for tracking and mixing music too. And that’s because the Siemens W295b was originally created for broadcasting. They designed Sie-Q to sound great at any setting. Soundtoys suggests using the Sie-Q with their Decapitator analog saturation modeler on your mix if you find that your mix sounds too smooth and polished and needs more of a vintage analog character. It’s a great EQ for your busses and full mixes too. And that means you can get your vocals floating above the mix, and conversely, get those brittle and harsh highs out of your acoustic guitars and cymbals for extra smoothness. Even when boosted to the nth degree, it’s been designed to sound amazing. This analog vibe EQ’s best feature is its highs. And if you’ve seen the physical Siemens W295b EQ unit before, then you know that 1) it’s an expensive piece of kit, and 2) it only features a few knobs. Soundtoys found a rare gem in the Siemens W295b vintage EQ consoles and sought to emulate what this unit best – airy highs and smooth curves, all in an easy to use, “no-fail” interface. German engineered Soundtoys’ Sie-Q strives to be a boutique style EQ with classic color.
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